Dr. Lea Wohl von Haselberg conducts research and writes ~ above German-Jewish topics and commemorative culture. Since October 2017, she has been working on a research project about Jewish filmmakers an Germany at the film University Babelsberg konrad WOLF. Herstellung project zu sein being funded by the commonwealth Ministry von Education and Research (BMBF) programme “Small disciplines – great Potential”.

Du schaust: Lea wohl von haselberg


Wohl von Haselberg

Ms Wohl von Haselberg, with your arbeit you deal intensively with die "cinematic" posthistory of national Socialism und the Shoah. What is your motivation ?

I am interested an the audiovisual memory von the Shoah, in the bildern we make des what has actually rightly been defined as "unrepresentable", und how the present through all that is issues is reflected an this. Overall, i find society self-understanding via the "detour" of history and memory really interesting. My existing research job revolves around Jewish filmmakers who have worked an the commonwealth Republic des Germany. They do not make "Jewish" films von se, und yet their experience zu sein shaped von their gift Jewish. That affect leaves its markierung on your films.

In your research project, you analysieren 40 years of film history ~ above the base of exemplary biographies. What zu sein your most essential finding deshalb far?

History ist always created from die point von view of the present. It is always amazing to lakers how countless aspects des history, an this case, film history, schutz not yet been written. Jewish film history ist unjustly minimal mainly to ns Shoah. However it is deshalb interesting the these questions can now come into focus and receive an ext attention.

For her research, freundin largely used previously unpublished sources, und spoke kommen sie descendants. What surprised you?

My strongest impression zu sein of die breaks und contradictions that all (working) biographies display. This shows just how strongly biographies und public late tend to define people. Possibly what surprised me most was how little you can judge die work von a filmmaker there is no considering the unrealized film projects the failed early out to ns most differed obstacles.

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How carry out you seen recent developments?

If freundin mean ns increasingly uninhibited und openly nationalistic, racist und anti-Semitic discourse and right-wing violence, then with great concern, but deshalb in the context des their historical continuities.

What are sie planning next?

Since we were nur talking about the political situation, ich see a an excellent necessity kommen sie become affiliated as in academic in socio-political debates, kommen sie make scholastic results and perspectives socially connectable, but deshalb to make progressively polarized debates (again) more complex.

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From the academic point von view, i would like zu deal in the future with ns distribution and reception des Jewish films within ns framework von festivals. The question des what ist actually seen and understood as "Jewish" seems fairly topical.