Stühle im schnee film

Ulrike Ottinger grew up an the city of Constance on Lake Constance wherein she collection up produziert own studio at in early age. From 1962 until the beginning von 1969 she worked as in independent artist in Paris, if learning die technique des etching from johnny Friedlaender. She deshalb attended lectures given über Claude Lévi-Strauss, louis Althusser und Pierre Bourdieu at die Collège außerdem France. She exhibited herstellung work at the Biennale internationale de l’estampe, paris and an various galleries. An the early on 70s, her interest an painting, photography and performance lead produziert into making films. Her first film script, ‘The Mongolian double Drawer’ (Die Mongolische Doppelschublade) was written an 1966.

Du schaust: Stühle im schnee film

After her return to West Germany she founded, in association with Constance University, die ‘filmclub visuell’ in 1969 an Constance bei which international Independent Films, the new German Cinema (Neuer deutsch Film) and historical films were shown. At die same time, she set up the gallery and the edition ‘galeriepress’, in which she presented wolf Vostell, Allan Kaprow, Fernand Teyssier, peter Klasen and English pop artists such as R. B. Kitaj, joe Tilson, richard Hamilton and David Hockney. Her erste film, ‘Laocoon and Sons’ (Laokoon und Söhne), made bei collaboration through Tabea Blumenschein, was recorded an 1971-1973 and celebrated its world premiere an the Arsenal Berlin. In 1973 she moved zu Berlin und filmed ns Happening-documentary ‘Berlinfever – wolf Vastell’ (Berlinfieber – wolf Vastell). This was followed by ‘The Enchantment des the Blue Sailors’ (Die Betörung der Blauen Matrosen) in 1975 with Valeska Gert und ‘Madame x – in Absolute Ruler’ (Madame x – eine absolute Herrscherin) an 1977, co-produced von the ZDF, which caused a good sensation and was bei international success.

Work top top the berlin Trilogy, ‘Ticket of No Return’, (Bildnis ein Trinkerin, 1979), ‘Freak Orlando’ (1981) and ‘Dorian Grey in the Yellow Press’ (Dorian Grey im Spiegel ns Boulevardpresse, 1984) began bei 1979. She was able zu win Delphine Seyrig, Magdalena Montezuma, Veruschka von Lehndorff, Eddie Constantine und Kurt Raab, also as the composer gleich Raben zum these works, which to be filmed in industrial wastelands und alienated city landscapes. The bildern she created here were to occupy her again in the short film ‘Usinimage’ (1987).

In addition to fictional films, ulrike Ottinger also devoted herself to die genre of documentary film. Intensive und comprehensive research, in some instances over plenty of years, characterises all her films, an every genre. ‘China. Ns Arts – die People’ (China. Die Künste – der Alltag, 1985) zu sein the first of many lang documentaries which were die product of herstellung numerous tours through Asia. ‘Johanna d’Arc des Mongolia’ was filmed in Mongolia in 1989, as was produziert documentary ‘Taiga’ 3 years later, i beg your pardon accompanied migratory nomads through north Mongolia. Yet she was not only interested bei long-distance travel: die documentary ‘Countdown’, i m sorry follows ns changes an her own city of berlin from the fall of ns wall to die re-unification of Germany, ist characterised von the same intense interest in ethnography. After die documentary ‘Exile Shanghai’ (1997) further travels führen zu her to South east Europe wherein a additional documentary und a fictional film were conceptualized: ‘Southeast Passage’ (Südostpassage, 2002) and ‘Twelve Chairs’ (Zwölf Stühle, 2004). Produziert documentary ‘Prater’ (2007) described stories bei and around die traditional Viennese satisfied park and its history. In invitation from ns IFFF Seoul, south Korea, carried her zurück to Asia and the resulting documentary, ‘The korean Wedding Chest’, portraits a stadt hovering between tradition and modernity. At die turn of the year 2010/2011 she shooting the film ‘Under Snow’ (Unter Schnee) in the Japanese Snow nation Echigo, which was shown an Haus das Kulturen der Welt, berlin at the Asian-Pacific-Week in 2011, parallel to herstellung exhibition ‘Floating Food’.

For her film ‘Chamisso’s Shadow’ (Chamissos Schatten, 2016) ulrike Ottinger traveled weil das three month along the remote coasts des the Bering Sea, tracing the paths taken über the an excellent 18th and 19thC explorers. This is produziert longest documentary to date (12 hours); ns accompanying exhibition ‘Journey around the world. Explorers – ranger – Humboldt – Chamisso – Ottinger’ (Weltreise. Forscher – ranger – Humboldt – Chamisso – Ottinger) take it place bei the national Library an Berlin.

Ottinger"s many recent arbeiten ‘Paris Calligrammes’ intertwines herstellung personal memories des the Bohème in Paris with the grave social, political und cultural upheavals des our times, developing a cinematic figural poem (calligram). Filming took location from 2017 to 2019 und the premiere was in spring des 2020.

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Ulrike Ottinger so directed theatre und opera productions. She developed ‘Das Lebewohl’ (Berlin Ensemble, 2000), ‘Clara S.’ (Staatstheater Stuttgart, 1983) und ‘Begierde und Fahrerlaubnis’ (Steirischer Herbst, Graz 1986) über Elfriede Jelinek. She so staged ‘Das Verlobungsfest in dem Feenreich’ (Steirischer Herbst, Graz 1999) über Johann Nestroy, and ‘Effi Briest’ von Isis ter Schiphorts und Helmut Oehring (Bundeskunsthalle, Bonn, 2001). Produziert latest work, ‘Hommage à klausNomi, A Songplay bei Nine Fits’ by Olga Neuwirth, was zuerst performed in the spring des 2008 weist the haus der berliner Festspiele. Ottinger constantly designs die scenery zum all produziert productions herself.

From die very beginning, ulrike Ottinger also devoted herself to photography. Her pictures are normally taken throughout preparation work for her films, however they unfold their very own individual visual impact. Her photographic und cinematic work has been bezeichnen at ns Biennale di Venezia, the Documenta and the berlin Biennale. She had actually solo exhibitions in Witte dach With – Centre zum Contemporary nett Rotterdam, in the Museo Nacional Reina Sofia in Madrid, the Kunst-Werken Berlin, the david Zwirner Gallery an New York, die Hunterian Gallery bei Glasgow and bei the NTU Centre weil das Contemporary Art an Singapore.

Ottinger"s scripts zum ‘Madam X’ and ‘Freak Orlando’ to be published in 1978 und 1981. Her nett book ‘Image Archive’ (Bildarchive), a arsenal of her work indigenous 1975 zu 2005, was published in 2005. Further books followed, such together ‘Floating Food’ (2011), ‘Ulrike Ottinger – global Pictures’ (2013), die two-volume work ‘Journey around the world. Explorers – forster – Humboldt – Chamisso – Ottinger’ (2015), ‘Chamisso’s Shadow’ (Chamissos Schatten, 2016) and ‘Paris Calligrammes’ (2019).

Numerous prizes have been awarded to Ulrike Ottinger zum her films: the Montréal public jury prize, ns German National film Prize (visual design) for ‘Johanna d’Arc of Mongolia’ (1989), the German film Review Prize for Documentaries for ‘China. Die Arts – the People’ (1986), ‘Prater’ (2008) und ‘Chamisso’s Shadow’ (2016) und the Berlinale Camera at ns 70th berlin International film Festival.

Her films have run at the most essential international film festivals und tribute has actually been shown in many retreat shows, zum example bei the new York Museum of Modern Art, an the Parisian Cinémathèque française, die Centre Pompidou, ns Biennale di Venezia and in the Berkeley nett Museum und Pacific film Archive.

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Ulrike Ottinger has been a member of the Academy of Fine Art bei Berlin since 1997and because 2020 she ist a member von the Bavarian Academy des Fine Arts. She was awarded die Cross des the Order von Merit of the commonwealth Republic des Germany on, 6th of january 2010. In 2011 she received the Hannah Höch compensation from the city of berlin for herstellung life work. The Concordia University des Michigan awarded her an honorary doctorate for fine art bei 2018. On august 15th, 2021 ulrike Ottinger was honored with die Hans-Thoma-Award von Baden-Württemberg, Germany. Bei 2019 she was called to the jury of the Academy des Motion picture Arts and Sciences, which confers ns Academy Awards (“Oscars”) every year.