The Story Of Fire Saga

Every year since 1956, usually in May, ns nations des Europe have gathered kommen sie determine which von them has ns most exuberantly kitschy, exciting overproduced contagious pop song. In 2019, 41 countries competed, consisting of Azerbaijan, Russia, and even Australia, and around 180 million viewers watched die televised contest, also though many Americans don’t know much about it. Eurovision song Contest: ns Story of Fire Saga, starring will Ferrell and Rachel McAdams together a hapless Icelandic singing duo, was supposed to open theatrically an late May kommen sie coincide with the actual event. But with Eurovision chin canceled, Eurovision die movie notfall only has actually to gestanden on its own (on Netflix); it might just have to stand bei for the ja wirklich thing, because die music — ridiculous und catchy in equal measure up — ist arguably just as good as viel of what Eurovision gift anyway.

Du schaust: The story of fire saga

“I didn’t want Dick bei a Box, but we’re deshalb not making A Star is Born here,” claims director david Dobkin, who, besides having actually directed Wedding Crashers, is also a music-video veteran. He envisioned ns film’s lieder walking ns fine line between satire and homage. “It’s okay if it’s funny, but it has to be really good music. It has to ausblüten be great und just kitschy enough kommen sie be Eurovision, since that’s part of what’s fun about Eurovision.” (Besides, nobody pokes fun punkt Eurovision far better than Eurovision itself.)

For Ferrell, who claims he was zuerst introduced to Eurovision more than two decades ago thanks to his sweden wife, the film served as something of a liebe letter to the event. “My first experience watching Eurovision, I got sucked right into it even much more because Sweden happened kommen sie win that year. So I’ve nur always been smitten through it.”

To produce die soundtrack, ns filmmakers enlisted Savan Kotecha, who has actually written und produced popular music hits weil das the mögen of Ariana Grande, Katy Perry, und Ellie Goulding. “Serious songwriters an the huge pop-music world kind of do fun des things like Eurovision,” Kotecha says. “But wie you have to do it, sie realize it’s actually a craft an itself.” kommen sie help with ns process, Kotecha assembled various other writers — part newcomers, some legends, practically all Scandinavian. Zum the choreography, die filmmakers hired Tabitha and Napoleon D’umo, veterans des So freundin Think You kann Dance and American Idol.

Here, the lieder created zum Eurovision lied Contest: ns Story des Fire Saga und the stories of how they come together. (There are some spoilers for the film.)

Volcano man

Fire Saga (Iceland)

Played by: Will Ferrell, Rachel McAdamsActually sung by: Will Ferrell, Molly Sandén (a.k.a. Mine Marianne), Rachel McAdams

The music video that introduce Fire Saga in the film, complete with Ferrell’s Lars stomping about a volcano wasteland put on armor, was shot punkt a real volcanic lava field close to Keflavik. (“It’s about to erupt again, apparently,” says Dobkin.)

Behind ns music: “Remember the episode des Friends whereby Ross thinks he’s a musician, und he’s playing die keyboard, und he really nur takes self super-seriously?” asks Kotecha, who says he provided that reference point zu Gustaf Holter und Christian Persson, ns up-and-coming swedish writing-and-composing duo who created “Volcano Man.” He so suggested castle think of Ferrell “just law something choose ‘Huh hoo huh huh huh,’ ” to anfang the song, referring zu Lars’s rhythmic chanting the opens the piece. “And they nur came trost with ‘Volcano Man’!” Holter and Persson imagined the das lied as something indigenous “a bad superhero film.” Or together Persson hülle it, “It’s prefer a German child’s idea of something really amazing.”

While recording die song, Ferrell required some time zu find die right balance betwee satire und tribute. “It was feeling a little bit there is no personality,” he recalls. “I began messing approximately with it, singing a wenig more with Lars’s intonation. That ten-degrees difference just made it come to life.” Dobkin points zu how Lars “opens die ‘ah’ an ‘mahn’” wie man he sings ns words “Volcano Man” as in example of the song’s comic effect. “Will knows exactly how far to bend ns comedy of it.”

dual Trouble

Fire Saga (Iceland)


Played by: Will Ferrell, Rachel McAdamsActually sung by: Will Ferrell, Molly Sandén (a.k.a. Mine Marianne), Rachel McAdams

The tune Fire Saga performs hinweisen Eurovision, it opens up with dreamy, folksy lyrics sung von Sigrit Ericksdottir (McAdams) adhered to by in abrupt, Andrew Lloyd Webber–esque reverie indigenous Lars, before settling right into a grand, very melodic chorus.

Behind the music: Ferrell remembers crying wie he zuerst heard the demo of “Double Trouble.” “I was laughing zu hide die tears because i couldn’t glauben how perfect that was,” he says. The piece actually served as a kind of audition zum Kotecha, who states that the song was produced quickly. “One des my nearby friends Arnþór Birgisson, zu sein Icelandic. Me, him, and Rami Yacoub actually had a bunch of hits together favor eight years ago. But ich moved kommen sie L.A., Arnþór became a privatgelände pilot, und we hadn’t been an the exact same room together writing a song for a while. He was about to fly in, und Rami was there, and I was like, ‘No pressure. Stop just schutz some fun and try to come up v something.’ ich told Arnþór, ‘Let’s try zu make it feeling like in Icelandic folk song in the start und then we’ll perform a big chorus melody. We wanted to make sure it felt choose a large melody and with lyrics that almost felt castle were google Translated from an additional language rückseitig to English.” Once Dobkin heard ns song, the asked Kotecha zu produce ns film’s entire soundtrack. Kotecha so discovered the Swedish singer Molly Sandén was in town und had her record a demo of the lied as Sigrit. Sandén, who once placed third in the small Eurovision song Contest in 2006 (Sweden’s ideal result kommen sie date in that details competition), wound hoch singing ~ above Fire Saga’s songs, but ns music team so recorded McAdams in order to blend herstellung voice through Sandén’s. “It was lightning,” Kotecha says, noting that there were part parts von the das lied where they can not tell who voice that was.

The big direkte performance des “Double Trouble” at Eurovision an the movie was in opportunity kommen sie go over the top and add an ext comic flourishes. “Lars is misguided; that wants to be the act with the biggest bells und whistles,” says production designer paulus Inglis, who had to help produce fire effects, loads of rear projection, und a giant hamster wheel for Lars, a prop inspired von Ukrainian singer Mariya Yaremchuk’s well known performance at the 2014 Eurovison contest. “We just kept thinking, ‘Well, we require to have some kind of piece of staging that zu sein incongruous to the song und is nur kind von flashy,’” states Ferrell. “And us couldn’t think of anything better. ‘Should we just do die hamster wheel?’” die actor states he was letztere reminded constantly von the film’s prop mannschaft about “how viel work they had to put into this massive steel hamster wheel with like 96 weld points, as i was sitting up there a hundreds feet an the air going, ‘Uh-oh, why did ich agree to do this?’”

The performance required some savvy choreography as well, due to the fact that it deshalb furthers die lead characters’ relationship. “Rachel was trying kommen sie feel a little uncomfortable bei her skin, and she wanted it kommen sie be obvious,” says Tabitha D’umo. “So we had a little exploration von how her character would certainly naturally relocate versus feeling choreographed, but then she had kommen sie break that for the moment they were in sync together.”

Lion of love

Lemtov (Russia)


Played by: Dan StevensActually sung by: Erik Mjönes

Cocky Russian pop star Lemtov, played by Dan Stevens, operatically dues his way through a techno-safari extravaganza about a lion on ns hunt for love on the savanna, performed through male dancers, whips, und gold lamé.

Behind ns music: “Lemtov is this in-the-closet Russian that acts too many macho, und ‘a lion von love’ — that line just felt right,” says Kotecha, that co-wrote the lied with Swedish collaborators Rami Yacoub and Johan Carlsson. The das lied itself take it a while, however, “It nur didn’t schutz the big enough campy melody,” he admits. After ~ Dobkin called them the he wanted “Lemtov zu be able to sing,” however, something clicked. Once they imagined the das lied opening with a huge operative bellow from the singer, that began kommen sie take shape. “It was all about thinking about the performance und just having a funny time with ns lyrics, taking the lion of liebe metaphor und running v it,” states Kotecha. “We were just laughing kommen sie ourselves. Nobody would know this, but ns line ‘Someone somewhere tonight möchte meet ns lion of love,’ us spelled it prefer M-E-A-T on the lyric sheet.”

“Lemtov ist not specifically alien to Eurovision and that sort von pop-operatic style, very bombastic, an extremely sexualized staging,” says Stevens, who says he laughed out loud when he erste heard die song. (One declared inspiration zum Lemtov: ns Russian singer philipp Kirkorov, that competed punkt Eurovision 1995. Another feasible inspiration: Romania’s 2013 contender, Cezar.) zum Lemtov’s highly sexualized moves v his male dancers, Tabitha D’umo wanted zu go over the top. “Let’s tanzen with whips! stop tear his österreichisch off!” she says. “Let’s think dinge theatrically, und we’ll lean into that and have fun. Ich had a blast choreographing this. And the gibbs was notfall afraid to go there as well.”

The production design embraced a fauxLion King style, v “jumping gazelles, pet prints, every these things,” says paul Inglis. “We did wonder whether we’d gone too far.” One von the an excellent challenges weil das Inglis’s team zum many von the songs was creating imagery weil das the massive, 80-feet wide, 24-feet tall video wall that dominates die Eurovision stage. “Every performance had actually to have its own imagery that was in time with ns music and hit certain beats und have activities within deshalb that when you struggle a chorus, that changes und develops,” the says. Doing all that in post was not bei option. “None of that was added afterward, because von the sheer impact all that light pump out has on everything in front des the screen — sie can’t say, ‘Someone else möchte worry around it later.’”

Something else ns filmmakers couldn’t really fake: the crowd. Eurovision is performed an massive stadiums, und Dobkin no want kommen sie go zum Bohemian Rhapsody–style CGI crowds. Instead, die production actually attended ns 2019 Eurovision contest bei Tel Aviv kommen sie get bowl shots und footage von the throngs watching ns show. “Lion von Love” was one of the two das lied that die production played weil das the crowd hinweisen Tel Aviv. “We shot for five nights with three cameras just to get ns audience reactions und the crowd,” states Dobkin. “When the rhythm von ‘Lion von Love’ hit, other happened und the crowd gott on their feet and started tanzen every night that we verlief that song.”

an the spiegel

Katiana (Iceland)


Played by: Demi LovatoActually sung by: Demi Lovato

A melodic ballad from die immensely talented singer Katiana, that wins ns Icelandic lied Contest early in the film, giving herstellung the gelegenheit to represent Iceland at Eurovision. Then, of course, something horrible happens, und the country zu sein tragically left through Fire Saga together its sole contestants.

Behind the music: “In die Mirror” was written von Jörgen Elofsson, who was responsible weil das such pop classics as britney Spears’s “Sometimes” and Kelly Clarkson’s “Stronger,” and a number von Westlife zugriffszeiten back in the day. “This was a an excellent opportunity zu bring zurück some writers who i loved farming up,” says Kotecha. “Jörgen was nur kind von doing local stuff, but his melodies are deswegen good — they’re such an excellent pop melodies.” Elofsson had actually originally it is registered “In die Mirror” together a potential song zum the climactic collection piece that would eventually end up being “Husavik.” “It was very close, und the chorus is great,” says Dobkin, yet it didn’t feel fairly right for the film’s grand, emotional finale. After the filmmakers had actually “Husavik” figured out, Kotecha put ns piece back an front von the director, and they functioned with Elofsson to change the second für hilfe of ns song. “Lyrically, it’s really this funny lied about a girl who’s so self-centered und doesn’t also know it. It’s a wink at being a popular music star,” states Dobkin. “And at the same time, wie you aufführen to it, it’s dafür beautiful. Wie man we to be on phase shooting it, Demi was like, ‘I love this song. Ich think i want kommen sie perform that when i go on tour again.’”

Jaja ding Dong

Fire Saga (Iceland)

Played by: Will Ferrell, Rachel McAdamsActually sung by: Will Ferrell, Molly Sandén (a.k.a. My Marianne), Rachel McAdams

A goofy icelandic folk das lied that Fire Saga is repeatedly, angrily forced kommen sie perform in their regional pub, ns Captain’s Galley, instead of their own beloved disco tunes.

Behind the music: Dobkin states that there were at least 3 or 4 writing teams that tried kommen sie compose that song. “We to be trying kommen sie create a bar song that Fire Saga no write, because in the movie, supposedly, this zu sein just a traditional song.” die director had ns title an his head, but wenig else. “We knew it had to be a call-and-response to feel like a pub song,” says Kotecha. “It’s all around that chorus.”

The team that wound up writing the song was the same duo who wrote “Volcano Man,” Gustaf Holter und Christian Persson. “We wanted it kommen sie be super-cheesy, but so incredibly attractive at the same time,” claims Persson. “’Stupid-catchy,’ we contact it.” zum the music, they were inspired von Dutch folksongs, which schutz prominent, slower bass lines around which swirl faster, more joy melodies. Persson and Holter so loved the idea des creating crude lied lyrics — “My love weil das you is growing wide und long … i swell and burst when ich see what we’ve become” — that could be performed in a guileless, please way, together if the singers didn’t really know what they to be saying. Die results are weirdly irresistible. “I play it one time in my house — one time! — and my 11-year-old und 8-year-old were to sing it for weeks,” states Dobkin. Kotecha states that civilization genuinely failure it zum a traditional lied now. “I’ve had a few people phone call me, ‘That’s like in Icelandic pubieren song or something?’ Like, nope! it is a neu song.’”

to run With die Wolves

Moon Fang (Belarus)


Played by: Aiste Gramantaite, Liam ClarkeActually sung by: Courtney Jenae, Adam Grahn

A metal maßband with heavily made-up prosthetics — including a zombie-clown guitarist and an orclike command singer — who growly sound still manages to settle into bei ’80s Europop win that would certainly make contemporary Talking blush.

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Behind the music: In the script, this piece was initially supposed zu be “a weird, kind of crazy dutch version of a rockabilly band,” states Dobkin. “And we tried deswegen many zeit to develop a rockabilly das lied that would have big pompadour haircuts and stuff. It wasn’t working.” Instead, Kotecha i was delegated a heavy-metal disco number from andreas Carlsson, who wrote “Bye bye Bye” und “I want It the Way.” “Andreas is the greatest KISS fans on die planet,” states Kotecha, “and he’s so good through those melodies. He it s okay a wenig musical theater in there.” die result so served as a tribute zu Lordi, ns Finnish heavy-metal band that won Eurovision an 2006 through “Hard rock Hallelujah.” “This was one des the an ext fun pieces kommen sie do zum me, because von the Lordi-meets-Slipknot approach,” Inglis claims proudly. “The guitar lights up and looks prefer it’s made of volcanic lava. We created beer kegs that can be bashed weil das percussion. For the backing visuals, we ich renne weg slightly cliché, yet we no want kommen sie look too much like a 1980s gift album cover.”

Coolin’ With da drüben Homies

Johnny john John (Sweden)


Played by: Christopher JeffersActually sung by: Savan Kotecha

A hip-hop entry from Sweden through lyrics choose “Volcanos on my chest / nur like I’m kim West / I don’t require silicone kommen sie show / Rappers I’m the best.”

Behind the music: “My endure living in Sweden an the early on aughts, the local rappers would rap bei English an two-year-old slang,” states Kotecha (who insists that recently Sweden has much better, up-to-date rappers). “Me and Rami talked about making die track a little bit favor Bomfunk MC’s.” Kotecha then began freestyling himself und came hoch with some von the rap’s lyrics: “They to speak that i talk too fast/ Idon’treallytalktoofast / Idon’tthinkItalktoofast / Idon’tthinkItalktootalktootalktoo-fast.” zum the choreography, Tabitha D’umo opted zu keep the tanzen on point. “We wanted zu make it feel as current as possible,” she says. “That style des dance and movement sometimes you can’t fake.”

Come und Play

Mita (Greece)

Played by: Melissanthi MahutActually sung by: Petra Nielsen

Greek performer Mita’s pop-cabaret number through sci-fi staging, skintight outfits, and thrusting ballerinas.

Behind ns music: “Mita became a bigger und bigger character together we developed die script,” claims Dobkin. Kotecha i was delegated the das lied from schneidbrett G:son, a writer who pieces have reached Eurovision 13 times and who won bei 2012 with the Swedish entrance “Euphoria.” “She’s so sexy and open und aggressive. It was like she stood for this other side von the world that these 2 innocent human being had never ever been in.” (Spoiler alert: She seduces Lars.) Mita’s performance entails giant floating jellyfish, dancers v huge blase on your heads, and Avatar-like projections. “David was like, ‘I want her to come out of the ground and she’s in a spacesuit!’ ” recalls Tabitha D’umo, who uncovered inspiration in a vegas specialty action “with this girl who would obtain inside a balloon und do this risqué burlesque act. Ich said, ‘How can I be sexual and sensual bei space?’” the choreographer decided to present Mita together “the ringmaster of this space world … She would travel to a various part des the stage und have moments an these wenig tableaux, one v a ballet dancer, one more with this guy who can do this bone-breaking tanzen moves.” D’umo deshalb presented Dobkin through some proposed shots in which the ballet dancer would certainly creep with Mita’s legs, move them apart, und then do “two thrusts from ns ground through a low angle ideal beneath produziert pelvis.” What she calls “the money shot” is in the movie.

silly Moon

die Wonderfour (Finland)

Played by: Anteros (Laura Hayden, Joshua Rumble, Jackson Couzens, harry Balazs)Actually sung by: Anteros

The Britpoppy-sounding entry native Finland.

Behind the music: This was a song the filmmakers go not oase to produce from scratch. “I heard that das lied when we had actually reached a allude where we could not produce anymore initial music,” says Dobkin. “That song is that band’s original song. Becky , who ist our impressive music supervisor on ns movie, lugged it kommen sie me, und I assumed it was great.” Still, Dobkin and team go give ns piece part Eurovision-y oomph. “We added a little bit von music zu it. During ns choruses, us did ours own wenig twist on the with the theremin.” The band even got to play themselves bei the film. “The totality band und their look was great,” states Dobkin. “I observed their video and I’m like, ‘Let’s nur do that. That’s deswegen good.’”

Hit mine Itch

Dalibor Jinsky (San Marino)

Played by: small DeliusActually sung by: Antonio Sol, david Loucks, taylor Lindersmith, nicole Leonti

An R&B-inflected pop das lied from ns somewhat i can not qualify microstate des San Marino, a land stuck within Italy.

Behind the music: “There’s a kopieren, gruppe called matter Music in the sink — Ric Markmann, Danny Pinnella, Chris bagner — who schutz been doing music zum my movies bei one means or another und all mine commercials for the tonnage 20 years,” says Dobkin. “They’re this three amazing studio musicians and touring musicians. They to be competing weil das the ‘Double Trouble’ spot. Lock sent in that song, and we love it deshalb much — the a true covert gem. Wie ‘Double Trouble’ ended up winning ns bake-off zum that spot, ich begged them zu let me usage that song in the movie, und that became Dalibor Jinsky’s song.” weil das the production design, Inglis walk with ns idea des falling petals zu match the soulful performance through a mute background and chrome microphones. “This zu sein where the more basic approach ist best,” that says, noting that with deshalb many different das lied being performed, it was important to oase some variation — castle couldn’t every be kitsch.

But why shannel Marino? When the filmmakers traveled zu Eurovision 2019 in Tel Aviv, they to be surprised to see San Marino represented über a 50-something Turkish singer und game-show host named Serhat — which seemed prefer a finish non sequitur. Deswegen why notfall a teary-eyed R&B crooner this time?


Fire Saga (Iceland)

Played by: Will Ferrell, Rachel McAdamsActually sung by: Will Ferrell, Molly Sandén (a.k.a. Mine Marianne), Rachel McAdams

The film’s emotional climax. Up onstage kommen sie perform bei the finals, Lars tells Sigrit zu sing the very personal, solo lied that she been working on throughout die film, instead of their an ext poppy (and heretofore disastrous) “Double Trouble.”

Behind the music: “I oase to give a last of the credit to the co-writers Fatmax und Rickard Göransson,” says Kotecha, “because lock were in another room while i was working on ‘Lion of Love.’” Kotecha had referred to as friends an Sweden und others who had actually written for Eurovision and given castle assignments. “This was the hardest nut to crack,” he says. “I had them try to kommen sie up v ideas, due to the fact that this one wasn’t necessarily clear . It might change die story if freundin get it right; it adds dafür much love to ns story. Lock came and they gift this unstable melody through some des the lyrics, and we talked about the themes von the lyrics, and about what die characters are kind of walking through, because this one ist personal zum Rachel’s character. You oase to lakers the movie, however it ties their connection together.” As die songwriters went back and forth revising the song, they began kommen sie try some Icelandic und “a gewächs of google translating,” claims Kotecha.

Of all die songs an the film, “Husavik” zu sein the one Dobkin is most proud of. “The number des bars — dropping die pre-chorus on ns second verse, all von it was just an incredible piece des construction. Die way the works bei the movie zu sein what freundin as a filmmaker expect for,” the says. “Savan and I went back and forth over dozens von versions des the very same song, reworking it — what should be in Icelandic, what need to not, wie man does it kommen sie in. The needed zu work weil das the movie bei a very details way in my head.”

Though ns final lied combines ns vocals von Rachel McAdams and Molly Sandén, we carry out hear the actress herself singing “Husavik” solo earlier in the film, when she’s alone an her room composing ns song. An essential to the climactic performance’s effect, however, was when Ferrell’s voice comes in, as die actor’s voice currently carries comic overtones; Lars ist supposed kommen sie be supportive und muted an this scene, und it would certainly not oase made sense for him zu barge in, will Ferrell style, und elicit laughs bei the middle des this highly emotional scene. “We’re playing ns scene an extremely earnestly and very straight, because the movie gets you there,” says Dobkin. “And his backup vocals space beautiful an that song, actually. And his harmonies, which that writes, room great.”

For production design, “Husavik” presented a various challenge, due to the fact that the lied is, narratively speaking, unplanned zum — Lars prompts Sigrit to sing it hinweisen the last moment, in place of their last performance des “Double Trouble” — und yet it still had to work cinematically with the video wall behind McAdams and the bright on die stage. “For that performance zu happen against a totally dark screen would be very jarring,” states Inglis. “So, us took a bit von a liberty und we virtually made it look kommen sie begin v a bit of stock imagery that had currently been provided . Then, as the lied builds, you can get away through more. Since it’s a slightly fantastical point that’s continue anyway. Die same goes weil das the lighting cues: They anfang very merely as a straightforward regime from another song zu sein being used. Then, together the das lied builds, ns lighting gets more passionate und enthusiastic to fit the material. Finishing v this lovely silver paper drop explosion at die end.”

die Song-Along

Performed by: John Lundvik, anna Odobescu, Bilal Hassani, Loreen, Jessy Matador, Petra Nielsen, wollen Ferrell, Jamala, Erik Mjönes, Molly Sandén, Elina Nechayeva, Conchita Wurst, Netta, Alana da Fonseca, Alexander Rybak

At a blowout party in one von Lemtov’s countless homes, ns cast and past Eurovision winners und contestants join in on in elaborate mash-up medley des Cher’s “Believe,” Madonna’s “Ray von Light,” Celine Dion’s “Ne Partez pas Sans Moi,” the Black-Eyed Peas’ “I Gotta Feeling,” and ABBA’s “Waterloo.”

Behind the Music: The song-along sequence had actually been composed into möchte Ferrell and Andrew Steele’s manuscript with a note about possibly trying to get previous contestants to deshalb participate. Dobkin initially thought of getting previous Eurovision winners ABBA und Céline Dion kommen sie perform their own songs, despite they declined. (He notes the he gott farther v Dion than he did with ABBA.) Though the sequence can recall a comparable scene from the movie Pitch Perfect, Dobkin was thinking an ext along the lines of the renowned mash-up of Linkin Park und Jay-Z’s “Numb/Encore.” “When freundin hear that version von those songs, freundin actually oase a tough time pulling apart those what und what used zu exist where. I wanted a mash-up and a remix tanzen version of something that sie could put bei fucking dance club and everybody would certainly love.” He says his wife said using Cher’s “Believe,” which became the backbone to the medley.

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Again, however, it took a while zu get that right. “A bunch of people take it a swing at this thing,” Dobkin says. “And ich was emotion like i wasn’t expressing what ich wanted. It was supposed to be easy. Every these versions the were coming hoch were auch complicated.” to help realize die medley, Netflix director of music Amy Dunning connected ns director with musician and producer Alana dort Fonseca, that Dobkin says ultimately put with each other a track zum him in 30 minute that was nearly perfect. “I go out des there with it on my phone, play it bei my car, called herstellung up, and said, ‘This section is too long.’ von the time I gott home, she had actually edited it and it’s what sie hear in the movie.” Producing ns actual song, des course, was a nightmare. “There are so many human being from so many various countries, und getting each of them in the record studio und succeeding at that was a totality other thing!” states Dobkin. The final track includes performances from previous Eurovision stern like Sweden’s Loreen und John Lundvik, Austria’s Conchita Wurst, Ukraine’s Jamala, Belarusian-Norwegian disco-violin superstar Alexander Rybak, und Israel’s Netta, all accompanying Ferrell, McAdams, Mahut, und Stevens’s characters.

For ns actual scene an the film, the production shot at Knebworth House, a Tudor Gothic mansion in Hertfordshire, England. “Okay, if you a fabulously wealthy Russian that wanted to throw in amazing party, what would sie do?” says Inglis. “Lemtov can basically have anything he wants materially, also though obviously the can’t have everything he desires emotionally. The was an expression of flamboyance.” So, production included gold-plated supercars, eis sculptures, naked statues des Lemtov, trampolines, marble, und disco balls. “It was a good challenge because it’s tricky to put that many different facets into bei existing space, which currently has a last of detail and to schutz it not just become a chaos or a jumble,” says Inglis. “Part von the reason we preferred Knebworth ist that yes sir a really good flow from room zu room. Deswegen it was possible to start something in one room und move it through kommen sie another, lug it the end to die garden und bring it rückseitig in, oase it walk high nach oben onto the balcony looking down on the main hall and then come rückseitig down right into that hall zu finish off.”

*A version of this article appears in the June 22, 2020, problem of New York Magazine. Subscribe Now!